Twenty haunting tracks have been produced at the NeoKitsch studio for the Science Fiction genre. 

Each track describes a different landscape or scene inspired by science fiction stories and films. The musical influences come from both a modern and vintage interpretation of futuristic sounds and ideas. Modern science fiction film scores such as Cliff Martinez’s music to the remake of Solaris with George Clooney has been the direction Danny Hahn has been going with for this album at the studio. As a complete contrast, Danny developed this musical style with influences from earlier film scores, such as Bernard Herrmann’s music to The Day The Earth Stood Still in 1951, and even dipping into the 80′s, with Vangelis in Blade Runner. Other influences come from the futuristic, experimental, glitch/electronica music by the group Autechre.

To achieve these styles, Danny used many modern and vintage instruments. For that 21st century sound, Danny turned to Autechre. After hearing Autechre live using the Swedish made synthesizer, the Elektron Monomachine, and its partner in crime, the Machinedrum, the NeoKitsch studio added these instruments to the collection. The Elektron synths helped produce a wide range of sounds, which span across many different eras of music.

To achieve the vintage, 50′s feel of science fiction, the Moog Etherwave Theremin was used in many of the tracks. After Danny played the Theremin to the public with Lydia Kavina at the Royal Festival Hall in London, many new ideas to produce the ‘Etherwaves’ album came about after the collaboration. Lydia Kavina had played the Theremin for many film scores including Tim Burton’s ‘Ed Wood’ and ‘The Machinist’ starring Christian Bale, and these contrasting styles, both serious, psychological interpretations, and ‘Neo-Kitsch’, nostalgic older styles, were a starting point for Danny to work with his interpretation of the genre.  

To achieve the 80′s feel to science fiction music, many Roland synths and early Korg vocoders were used. Arpeggiators, vocoders and samplers from 30 year old synthesizers can be heard in the collection, including the Moog Rogue, Korg MS2000B, Roland TB-303, Yamaha CS10, and many others.

The Etherwaves album can be heard from the link below, where it is published for film producers on the networking site, Humtoo, and it can also be downloaded from iTunes, Amazon mp3, Rhapsody and Napster, as well as on CD, which can be purchased from the NeoKitsch online store from the tab at the header of this site.







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Humtoo, an online music library and networking community which connects content creators and music makers, has selected NeoKitsch as the featured artist of the month.

This is what they have to say about NeoKitsch.

NeoKitsch is a music studio in the heart of trendy Crouch End, London, which specialises in producing original musical scores, sound design, voiceover and foley for film and TV. Five albums have been released under NeoKitsch, some classical music, and some fusion electronic music, and they can be downloaded from iTunes and other leading stores.

NeoKitsch has been active in composing music for filmmakers worldwide including productions in LA, Milan, Berlin, Zurich, Hamburg and London, collaborating with names such as UK Film Council, The League Of Gentlemen, Arts Council England, Sky One and MTV, with works presented at BAFTA screenings and film festivals.
The NeoKitsch Blog is regularly updated with reviews and articles on unusual musical instruments, films and new music. You can check out all the serious and silly things NeoKitsch gets up to at: www.neokitsch.com

Current projects NeoKitsch is involved in includes the full score for the stage production of Frankenstein which will be performed in March (date and venues TBC). The lead instruments will be the Violin and Etherwave Theremin. 

NeoKitsch is a huge collector of unusual and vintage instruments, and the studio often uses acoustic stringed instruments such as the violin, mandolin, and cello. Some of the more far out instruments include the Omnichord, Micro Garden, Theremin, Circuit Bent Synths, and Stylophone. Among the hard to find, vintage gear NeoKitsch collects, are the Moog Rogue, Yamaha CS10, Korg MS2000B, Roland JV1080, and the famous Roland TB-303. NeoKitsch also uses more modern synths, although arguably, they tend to lean towards the nostalgic 70′s and 80′s sounds. Some of these modern machines include the Elektron Monomachine and Machinedrum, and the Sid Station.

NeoKitsch is familiar with composing music for a wide range of different genres, but the speciality genre seems to lean in the direction of classical music for violin and piano, fused with electronic glitch and experimental music.

The NeoKitsch studio is run by one person, Danny Hahn, but he often collaborates with classical musicians and specialists in fields which help broaden the possibilities of composing music. 

When NeoKitsch is composing with computer software such as ProTools, Max MSP, Logic and Sibelius, novelty Midi controllers are often used such as the Monome. Interesting videos of some of the weird instruments NeoKitsch uses, including the Monome, can be found on YouTube and on the NeoKitsch blog.


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